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Sunday, January 26, 2025

KIERON WALQUIST — "THE OREGON TRAIL® + ALL OF MY DEATHS" (Issue 29)

THE OREGON TRAIL + ALL OF MY DEATHS

An accidental buckshot, broken leg [couldn’t bother to bandage the
bullet-hole or change clothes], cholera, dehydration, dysentery, the
devil I’m sure dulling the disk, exhaustion, fever, foes, the fire I forgot
to gut until I was engulfed, greed, grief, the goddamn horse taking
off, the horse-kick, the humor in dying infinitely, insufficient funds,
the jaws of a rattlesnake, bad jar of beans, karma, knife-wound,
lash of sunlight, lily of the valley, measles, mosquitos, nightmares,
the promise of Oregon, an oasis being my heat-pickled brain, the
pioneer life, quarrels, questions, quitting, risks, my toothpick
schooner riding over rocks, river crossings, starvation, stupid shit,
typhoid, terrible luck, twisted lung, unarmed + under-fire, ushered
again into violence, vanity, vengeance, very wet-behind-the-ears, the
weather, want, wishful thinking, X marking the spot, yes when it was
no, yellow flowers, the zigzag of the computer mouse, zooming over
information, zero communication, your belief in me.



ABOUT THE POET 

Kieron Walquist (he/they) is a queer, neurospicy poet + visual artist from
mid-Missouri. He holds an MFA from Washington University in St. Louis + is
currently a PhD candidate at the University of Utah. Their work has received 
support from the Fine Arts Work Center in Provincetown, Monson Arts, + 
Vermont Studio Center. LOVE LOCKS, their first chapbook, is out with 
Quarterly West. He lives in Salt Lake City.



ABOUT SUGAR HOUSE REVIEW 


We loved reading the work that we’ve published (clearly), and we want an 
opportunity to better hear our contributors. We're featuring audio recordings of 
poems from our pages, read by the poet. This an open invitation to all contributors 
from any of our issues, we were delighted to print your work, now we’re eager to 
hear it.

Sunday, January 12, 2025

VIOLETA GARCIA-MENDOZA—"SOLASTALGIA NOCTURNE" (Issue 29)

SOLASTALGIA NOCTURNE

It’s late spring & earlier I overfilled the bird feeders
while thinking about karma, anticipating hungry

wildlife, insomnia. Each night’s its own soft throat
& lying awake I distract myself from past selves

by playing catch & release with Ring doorbell alerts.
In the driveway: deer, red fox, raccoons

slipping between arborvitae & basketball hoop.
In the distance, lightning ironworks the sky:

decades of rooflines, centuries of oaks. Everything
is temporary is a kind of curse where existence stirs

like weather, where survival plots in terms of forage,
tunnel, shelter. These hours, I’m sorry to be human

with our trademark cornering factors; I know
every apology creates its own future problems.

The night animals feed, then pixelate
back into the screen’s consolation wild.



ABOUT THE POET 

Violeta Garcia-Mendoza is a Spanish-American poet, teacher, and suburban 
wildlife photographer. Her poetry has appeared in numerous literary journals, 
and in 2022, she received a grant from the Sustainable Arts Foundation. She is 
a member of the Madwomen in the Attic Writing Workshops at Carlow 
University. Violeta lives with her husband, teenage children, and pack of rescue 
dogs on a small-certified wildlife habitat in western Pennsylvania. Songs for the 
Land-Bound is her debut collection, out from June Road Press in 2024. VioletaGarciaMendoza.com



ABOUT SUGAR HOUSE REVIEW 


We loved reading the work that we’ve published (clearly), and we want an 
opportunity to better hear our contributors. We're featuring audio recordings of 
poems from our pages, read by the poet. This an open invitation to all contributors 
from any of our issues, we were delighted to print your work, now we’re eager to 
hear it.