ON THE TIMES I DON’T REMEMBER THE RIGHT WORDS FOR THINGS
Tonight, leaving work after a
double shift,
what is left to
say on my walk home,
in and out of conversation with
myself,
dims and leaves me surprised: hone
o oru,
a phrase I read, I
couldn’t say when,
comes back clearly, scratched
across a book’s flyleaf
with the words it might
translate to in English
(to
break your bones, or to have a bone
broken) in pencil scrawled and smudged beside it,
as if whoever tried to work it
out stopped,
unable to choose
between doing
the breaking and being broken,
and left both
phrases for me like answers to
a riddle
no one is around
to ask, and which
I no longer have the breath to
decipher,
unable to read the growing
night against
the headlights of
oncoming traffic,
each pair of lights
indifferent, reading past me—
another breath slips, breaks my
conversation,
words again have a
falling leaves feel:
the feel of a foot driven into
the air
of a missing step, that braced
stagger, the feel
of reaching for a
door you thought closed
only to find it open, your
artless hand
on the air you have to walk
through to move on.
ABOUT THE POET
José Angel Araguz is a CantoMundo fellow and author of seven chapbooks as well as the collectionsEverything We Think We Hear (Floricanto Press) and Small Fires (FutureCycle Press). His writing has appeared in Crab Creek Review and Prairie Schooner. He runs The Friday Influence and teaches at Linfield College.
José Angel Araguz is a CantoMundo fellow and author of seven chapbooks as well as the collectionsEverything We Think We Hear (Floricanto Press) and Small Fires (FutureCycle Press). His writing has appeared in Crab Creek Review and Prairie Schooner. He runs The Friday Influence and teaches at Linfield College.
ABOUT SUGAR HOUSE REVIEW
We’ve loved reading the work that we’ve published (clearly), so now we want an opportunity to better hear our contributors. We will feature an audio recording of a poem from one of our seven issues, read by the poet and updated every couple of weeks. This an open invitation to all contributors from any of our issues, we were delighted to print your work, now we’re eager to hear it.
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