Sunday, November 10, 2024

MICHAEL CHANG—"执迷不悔 UNREPENTANT" (Issue 28)

UNREPENTANT 

What can I do but shine / in memory 
—John Wieners 

● 

racing down a beach may reap uncommon rewards 
a simple gift, one a ghost could give 
when all’s said & done, what have we got left 
ghost nuts, a whole wad 
[something to share] 
ur breath on my chest 
AG standing for “aspiring governor” 
u will surely hate growing old 
the constant yelping in the yard 
followed by extended periods of pain 
my mood depending upon the fireworks 
i derive no pleasure from fantasies 
indecent lips, carnal skin 
unwholesome, vulgar 
buggers to be awoken 
ppl who disappear into side streets w/o warning 
& never look back 
on a day like today 
remind me how the sunroom filled w/ ferns 
over our protestations 
the trip to echo park being unnecessary 
it was the first good party of the season [some say the only] 
baubles & balls 
snow that keeps melting 
after u shake it off 
three bees on a shield 
shiny headgear lifted from a learned man 
reciting the dimensions of a dream



ABOUT THE POET 

Michael Chang (they/them) is the author of Almanac of Useless Talents 
(CLASH Books, 2022) and Synthetic Jungle (Northwestern University Press, 
2023). Tapped to edit Lambda Literary's Emerge anthology, their poems have 
been nominated for Best New Poets, Best of the Net, and the Pushcart Prize. 
They were awarded the Poetry Project's Brannan Prize & edit poetry at Fence.



ABOUT SUGAR HOUSE REVIEW 


We loved reading the work that we’ve published (clearly), and we want an 
opportunity to better hear our contributors. We're featuring audio recordings of 
poems from our pages, read by the poet. This an open invitation to all contributors 
from any of our issues, we were delighted to print your work, now we’re eager to 
hear it.

Sunday, October 27, 2024

J.P. DANCING BEAR—"TRAP TEOP TRAP FLOW" (Issue 28)

TRAP TEOP TRAP FLOW
for Ruth Awad 

Today on your birthday, 
I told several people seeking advice 
to read your work. Not because, 
but because I didn't know, at the time, 
it being your anniversary howl. 

My people dreamed of stately swans 
floating across dreamcatcher 
ponds who were themselves ancient people. 
When I was a child, a bear came to me, 

and in my sleep it nudged me awake, 
and breathed into my mouth. Now I confess 
my words, my words, my tongue are hers. 
She still comes in between worlds, comes 

and looks down at me, much as you do, 
in that photo, the one where behind 
you, on swan-white paper, float the words, 
traP 
teoP 
traP 
floW 

Yes. It is the look of one who knows 
this world is a forest trail, cutting, 
winding its way down to water, down 
to a face made of tears.



ABOUT THE POET 

J.P. Dancing Bear is editor of Verse Daily. He is the author of sixteen 
collections of poetry, most recently, Of Oracles and Monsters (Glass Lyre 
Press, 2020), and Fish Singing Foxes (Salmon Poetry, 2019). His work has 
appeared in hundreds of venues.



ABOUT SUGAR HOUSE REVIEW 


We loved reading the work that we’ve published (clearly), and we want an 
opportunity to better hear our contributors. We're featuring audio recordings of 
poems from our pages, read by the poet. This an open invitation to all contributors 
from any of our issues, we were delighted to print your work, now we’re eager to 
hear it.

Sunday, October 13, 2024

SETH HAGEN—"ONE OF US" (Issue 28)

ONE OF US

One of us is drunk, and one of us is lying–
if love is a temple, it’s got spiders and a curse. 
Maybe we won’t work it out, but we’re trying. 

Us still swims luminous in my mind, 
an embryo in its egg, candled and obscure— 
O.K., one of us is drunk, and one of us is lying. 

You said, “Hold that thought. I’m buying,” 
pleated a twenty you plucked from your purse. 
Were we working it out? Were we even trying? 

You swung on the surface in the glass of wine. 
“I remember our first bed. Now there are no more firsts.” 
Someone must be drunk. Someone must be lying. 

You asked me if love was just crust, salt rime 
on rock when the lies burned off from lust– 
so maybe we won’t work it out, but I’m trying. 

Let us kneel to its Form in faith or in science: the
voice of a virgin, black holes, a fifth force 
What if one of us is drunk and one of us lying? 
Maybe we won’t work it out, but love is trying.



ABOUT THE POET 

Seth Hagen has works forthcoming in DIAGRAM. He has published in the fields 
of literary study and tax law. He lives in Atlanta, GA, where he teaches English.



ABOUT SUGAR HOUSE REVIEW 


We loved reading the work that we’ve published (clearly), and we want an 
opportunity to better hear our contributors. We're featuring audio recordings of 
poems from our pages, read by the poet. This an open invitation to all contributors 
from any of our issues, we were delighted to print your work, now we’re eager to 
hear it.

BETSY MITCHELL MARTINEZ—"BUILDING L: LOS DANANTES" (Issue 28)

BUILDING L: LOS DANANTES

I’m tired of speaking the language 
of my dreams, with its childhood rhymes 
and tidepools, its bulbs exploding 
on schedule into clusters of grape 
hyacinths. Let’s order brides on the internet 
and shape our mouths into fruits 
or kitchen utensils. Isn’t the weather 
fine today? Would you like some sugar 
in your coffee? When we visited 
the ancient Zapotec city, we crouched 
in the temple of los danzantes and studied 
the curves of naked men presumed 
by early anthropologists to be bent 
in dance. We now believe them to be 
corpses, genitals replaced with 
flowery scrolls. This is what I mean 
when I talk about dancing. 



ABOUT THE POET 

Betsy Michtell Martinez received an MFA from the University of 
Michigan. Her poems have appeared in The Northwest Review and Crab 
Orchard Review.



ABOUT SUGAR HOUSE REVIEW 


We loved reading the work that we’ve published (clearly), and we want an 
opportunity to better hear our contributors. We're featuring audio recordings of 
poems from our pages, read by the poet. This an open invitation to all contributors 
from any of our issues, we were delighted to print your work, now we’re eager to 
hear it.

Sunday, September 8, 2024

CYAN JAMES—"Q: ARE YOU CONCERNED ABOUT DIABETES" (Issue 28)

Q: ARE YOU CONCERNED ABOUT DIABETES

A: Sugar is more bam per gram than gunpowder but that’s only a 
fact not a feeling 

Kinds of sugar: caster, granulated, pearl, cane, demerara, turbinado, 
muscovado. Sounds like bachata song titles. Juicy entanglement. Ever smelled 
a cane field on fire? Piccolo note of sweet among the whirling pillar of smoke, 
hawks up high to pierce all the mammals on fire rushing the field’s edges. 

It kills kills kills even though it purrs so loud it fills your mouth it’s still a tiger 
in your kitchen. Possible to imagine people as the personified causes of their 
deaths, such as corpses like a row of frosted cakes in frilly white wrappers 

We make it at seven ounces a day per person, 160 pounds per person per year, 
enough to bury us all. How often we say ‘I love you’ or ‘I’m sorry’ or ‘let’s 
celebrate’ with the slow poison of custards, pecan pie, butter biscuits with tea 

Basterdsuiker: what the Dutch called adding molasses. Sugar so prestigious 
when pure, colonists gobbled it until they got black teeth. If they couldn’t buy 
it, they blackened their teeth to appear rich enough (to be giving themselves 
gum rot), and that’s just about everything you need to know about my people.



ABOUT THE POET 

Cyan James holds an MFA from the University of Michigan. Her work has been 
nominated for two Pushcart Prizes and published in Gettysburg Review, Michigan 
Quarterly Review, Arkansas Review, New Mexico Review, Harvard Review, and 
Salon, among others. She also holds a PhD in public-health genetics and works in 
health policy. Currently she is revising a novel about the young women who 
survived the Green River Killer. She loves fiddles, falconry, long road trips, and 
old front porches.



ABOUT SUGAR HOUSE REVIEW 


We loved reading the work that we’ve published (clearly), and we want an 
opportunity to better hear our contributors. We're featuring audio recordings of 
poems from our pages, read by the poet. This an open invitation to all contributors 
from any of our issues, we were delighted to print your work, now we’re eager to 
hear it.