Monday, April 25, 2022

ROS SEAMARK—"THE CREATION OF THE WORLD" (Issue 23)

THE CREATION OF THE WORLD

Brushing my teeth in a South Station bathroom is the closest I come
to being myself this morning. The buzzing florescents illuminating
my body bent here over the sink, my hands flashing under the faucet
is not a faithful copy of dawn like I am. I am so faithful. I am the sky’s
dog. At 6:03 a.m. I look in the mirror and I see words scratched into
the weather. I spit, and it’s clouds.

 

ABOUT THE POET 

Ros Seamark is a queer poet and translator from Central California.

 

ABOUT SUGAR HOUSE REVIEW 

We loved reading the work that we’ve published (clearly), and we want an opportunity to better hear our contributors. We're featuring audio recordings of poems from our pages, read by the poet. This an open invitation to all contributors from any of our issues, we were delighted to print your work, now we’re eager to hear it.

Monday, April 11, 2022

JEREMY ROCK—"ON THE DRIVE DOWN" (Issue 23)

ON THE DRIVE DOWN

Behind the washed-out boards of a roadside
stand and those empty shacks with windows so thin
the glass becomes part of the room, lawn signs

remember lost elections, their letters uncollected
and warped with moisture. I’ve resolved never
to meet these houses away from the road for fear

they’d try to keep me, so I hold an even sixty-two
in a fifty-five and watch the pawn shops fade
to vulture feathers around pits of old rain. This trail

is seamed between homes, crosshatched the way
snow melts striated from a hood and I see, by the lights
lining the water, a bridge emerging as if it was just being

formed. I play the good moth and lope along, morning
wearing over me in dull blue streaks.

 

ABOUT THE POET 

Jeremy Rock is from Frederick, Maryland, and is a graduate of Salisbury University. He has work published in Ninth Letter, Waccamaw, The Shore, Stonecoast Review, Cider Press Review, The New Mexico Review, and elsewhere.

 

ABOUT SUGAR HOUSE REVIEW 

We loved reading the work that we’ve published (clearly), and we want an opportunity to better hear our contributors. We're featuring audio recordings of poems from our pages, read by the poet. This an open invitation to all contributors from any of our issues, we were delighted to print your work, now we’re eager to hear it.