ON THE WINTER SOLSTICE IN SPRINGDALE, UTAH, 2021
When you ask at the candy store
if they felt that, too,
the bump
that shook your whole hotel down the street,
it starts an excited chat
about what it might have been—
earthquake, gas blast, rock drop, truck thump—and
he mentions supersonic jets from the A.F. base, but
that’s further east, he says,
that’s more around Flying Monkey Mesa,
he says.
And
you,
remarkably,
you now live
on a planet
where Flying Monkey Mesa
exists.
It’s named after animatronic dummies used to test ejector seats and,
yes, there originally were
monkeys, and, he says, one—only one—bear,
but this is not about your species
and its sometimes too-evident harm, this
is about the wonder of your kind:
in conjuring names that can make minds soar,
in finding that thing you term humanity
which pushes you to choose to use monkey robots
instead of stirring more terror in actual monkeys
(and bears) with the hard-to-dream technology
of a machine that flies,
of supersonic speeds,
of ejector seats and parachutes,
of this world
where Flying Monkey Mesa
is just down the highway.
ABOUT THE POET
Matt Mason is the Nebraska State Poet and former executive director of the
Nebraska Writers Collective from 2009–2022. Through the US State Department,
he
has run workshops in Botswana, Romania, Nepal, and Belarus. Mason is the
recipient
of a Pushcart Prize and his work can be found in The New York Times,
on NPR’s
Morning Edition, and in American Life in Poetry. Mason's fourth book,
At the Corner
of Fantasy and Main: Disneyland, Midlife and Churros, was
released by The Old Mill
Press in 2022. Matt is based out of Omaha with his wife,
the poet Sarah McKinstry-Brown, and daughters Sophia and Lucia.
ABOUT SUGAR HOUSE REVIEW
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from any of our issues, we were delighted to print your work, now we’re eager to
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