THIS IS THE LAST TIME
you’ll read this for the first
time
& think this immigrant doesn’t flock
like the rest of his sound,
but then again,
he’s cranking away
at the Victrola & you’re about
to place your finger on the tip
of your tongue
shaped in the name of the song
which was only supposed to be
background music for this epithalamion,
this dirge,
this glow, this urge,
this object permanence,
obscured by its chiaroscuro
carrying on,
my wayward daughter
one day will read this & it will mean something
new
all over again.
I know
it’s a cheap trick—
all this jostling & gesturing
into the wildness
to see the line of a horizon
break yet again,
but what can I say
that hasn’t been said or stolen
into the night by an open car
window
humming on a highway already, sucking mouth
out of a sleeping child’s air
like it wasn’t ever
supposed to be there.
like the rest of his sound,
but then again,
he’s cranking away
at the Victrola & you’re about
to place your finger on the tip
of your tongue
shaped in the name of the song
which was only supposed to be
background music for this epithalamion,
this dirge,
this glow, this urge,
this object permanence,
obscured by its chiaroscuro
carrying on,
my wayward daughter
one day will read this & it will mean something
new
all over again.
I know
it’s a cheap trick—
all this jostling & gesturing
into the wildness
to see the line of a horizon
break yet again,
but what can I say
that hasn’t been said or stolen
into the night by an open car
window
humming on a highway already, sucking mouth
out of a sleeping child’s air
like it wasn’t ever
supposed to be there.
Dujie Tahat’s is a Filipino-Jordanian immigrant living in Washington state. His poems have been published or are forthcoming in The Southeast Review, Narrative, Nashville Review, Shenandoah, Hampden-Sydney Poetry Review, The American Journal of Poetry, and elsewhere. Dujie has earned fellowships from the Richard Hugo House and Jack Straw Writing Program. He serves as a poetry editor for Moss and Homology Lit and cohosts The Poet Salon podcast. He got his start as a Seattle Poetry Slam Finalist, a collegiate grand slam champion, and Seattle Youth Speaks Grand Slam Champion, representing Seattle at HBO’s Brave New Voices.
ABOUT SUGAR HOUSE REVIEW
We’ve loved reading the work that we’ve published (clearly), so now we want an opportunity to better hear our contributors. We will feature an audio recording of a poem from one of our seven issues, read by the poet and updated every couple of weeks. This an open invitation to all contributors from any of our issues, we were delighted to print your work, now we’re eager to hear it.
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