BOSTON UNDERWATER BY 2100
The first time
we rode our bikes
through the Boston Harbor Hotel’s arch,
a big band on the floating stage played
a romantic swing burdened by trombones
through the Boston Harbor Hotel’s arch,
a big band on the floating stage played
a romantic swing burdened by trombones
and even though everything went to the rent,
the grandiosity of the hotel, the rotunda, the yachts in their slips
the grandiosity of the hotel, the rotunda, the yachts in their slips
was our grandiosity—
we were easily drinking
champagne while discussing
Dean Martin’s Ten Thousand Bedrooms
champagne while discussing
Dean Martin’s Ten Thousand Bedrooms
because our belief
in love was earnest and all
in love was earnest and all
we needed—
but now the stage is sinking
with the rest
of our created history:
with the rest
of our created history:
wistful walks past Alexander Hamilton on Comm Ave,
lavender lemonades in Copley Square,
the Union Oyster House, our initials carved in stall 19.
lavender lemonades in Copley Square,
the Union Oyster House, our initials carved in stall 19.
Once the rain,
its tiny pressure on your scalp, like ants
passing the door of a tobacconist.
its tiny pressure on your scalp, like ants
passing the door of a tobacconist.
Now the superstorm, the surging tides.
Now you and I,
the satiated bedroom guests we never were,
(alongside the rest of the humans) wanting
more and more from the collapsing ground—
the satiated bedroom guests we never were,
(alongside the rest of the humans) wanting
more and more from the collapsing ground—
Now Faneuil Hall and every corner
where we met and kissed, where a thousand others met,
conspired, or exchanged—
where we met and kissed, where a thousand others met,
conspired, or exchanged—
each body believing
their plot point the most paramount,
each forgetting history and story emerged
their plot point the most paramount,
each forgetting history and story emerged
from the same word:
istorie—
istorie—
Now and always forgetting
we build our cities to house myths,
our histories to house cities—
we build our cities to house myths,
our histories to house cities—
Soon the sea
will claim this reclaimed land,
sending these few fragments forever
will claim this reclaimed land,
sending these few fragments forever
to the drink. Leaving the cities, leaving
our love
our love
ABOUT THE POET
Tana Jean Welch is the author of Latest Volcano, winner of the 2015 Marsh Hawk Press Poetry Prize. Her poems have appeared in The New York Times, The Southern Review, The Colorado Review, Beloit Poetry Journal, Prairie Schooner, and other national literary journals. Born and raised in Fresno, CA, she currently lives in Tallahassee where she is assistant professor of Medical Humanities at the Florida State University College of Medicine. TanaJeanWelch.com
ABOUT SUGAR HOUSE REVIEW
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